no art, no life closer: Ikezawa Masahiko

Artistic works created following the artists' inner impulses, not influenced by existing art or trends, nor by education, are gaining worldwide recognition. "no art, no life closer" is a documentary series that captures the daily existence and life of these distinctive artists. Devoted to creation, not for anyone else or even for themselves, these artists have a powerful presence. This episode introduces Ikezawa Masahiko (79), who, after a life full of ups and downs, discovered ceramics at age 70. The program delves into Ikezawa's creative process and attempts to capture his unique form of expression.

Transcript

00:10

My life's been full of ups and downs.

00:16

Surprised I'm still alive.

00:22

"He discovered ceramics at age 70."

00:30

I'd be dead if I hadn't
discovered ceramics.

00:35

Ceramics saved me. My savior.

00:41

"Art Brut" refers to works of art created according to the artist's impulses,

00:47

not influenced by traditions or education.

00:52

Many of these artists have intellectual and mental health disabilities,

00:57

and their work rarely makes it into the outside world.

01:04

In Japan, these artists have been creating in obscurity, at home or in social services centers.

01:13

This is a record of the daily existence and life of artists

01:17

who produce one of a kind creative works.

01:25

No art, no life.

01:32

Nara, the ancient capital of Japan.

01:38

In a quiet residential area, there's a group home for people with disabilities.

01:49

Ikezawa Masahiko moved into the home eleven years ago.

01:55

He lives together with five companions.

02:03

Before arriving here, he had neither home nor job.

02:07

He lived on the streets - at the train station or in parks.

02:25

It was tough.

02:28

"Get outta here!"

02:32

People kicked me.

02:38

My life took a 180° turn.

02:44

It feels like I've entered,

02:46

a totally different world.

02:51

Good morning.

02:53

In a turnaround from his dangerous days on the streets,

02:57

he now lives an orderly life.

03:02

Except for Sundays, he leaves the home every morning at 9,

03:06

and heads to the nearby social services center by car.

03:23

I'll take it off.

03:25

Thanks.

03:27

How are you feeling?

03:29

- Feeling good.
- Good? OK.

03:34

After checking his blood pressure, he hurries off to the building next-door.

03:46

Behind the white door lies Ikezawa's personal studio.

04:03

I've been thinking about
this piece since yesterday.

04:09

Did it turn out OK?

04:10

It did.

04:15

He is all by himself in the studio, from nine-to-five every day.

04:24

He doesn't use a potter's wheel, but works diligently using his own original method.

04:34

Relying solely on his hands, he has created over 2000 pieces.

05:01

It's finished.

05:10

It turned out,

05:14

just like I planned.

05:23

This is a vase for a single flower.

05:26

After two days of trial-and-error, he created a small but powerful work.

05:38

Ikezawa began ceramics nine years ago.

05:42

It was a fateful discovery that led him to the art.

05:54

Ikezawa was picking vegetables in the garden as usual.

06:10

And then, he found something special.

06:17

Clay, if it wasn't for that clay,

06:21

I wouldn't have this life now.

06:25

That clay...

06:28

about this much clay.

06:33

Where?

06:35

Around here.

06:36

I dug it up here.

06:39

I dug deep,

06:42

and found good-quality clay.

06:45

It was my first encounter with clay.

06:52

I held the clay and thought
of what I could do with it.

06:57

That's how I began ceramics.

07:06

Freely kneading the clay, he created this bowl.

07:12

Ikezawa became obsessed with ceramics.

07:30

Just looking at the pictures.

07:32

I can't read.

07:36

I got a disease in my head.

07:41

A disease...

07:44

I instantly forgot what I said.

07:49

I got Japanese Encephalitis.

07:53

I didn't go to middle school,

07:56

even though it's compulsory.

07:58

I started working at 12.

08:06

I did work that,

08:11

most people can't do.

08:15

I was a laborer, hard physical work,

08:21

I put up scaffolding.

08:25

I worked my hands and feet hard.

08:32

Didn't think I would live this long.

08:36

Most people would be dead by now.

08:42

Never imagined I
would become homeless.

08:55

I was legally married three times.

09:00

Lived with a woman once,

09:02

so four relationships.

09:05

I had a child.

09:08

She died.

09:11

Suffocation.

09:13

She suffocated.

09:17

Not even a year old.

09:23

She died at 10 months.

09:37

Her name was Fujiko.

09:41

A girl.

09:46

She was so cute.

09:50

A cute girl like you'd see in a picture.

09:55

I was so happy.

10:03

Ikezawa has been making ceramics as though possessed.

10:09

Every Wednesday, with the help of a ceramics instructor,

10:13

he unloads his fired work from the kiln.

10:29

- That's an interesting shape.
- Yeah, it's interesting.

10:34

I changed the shape.

10:39

I decided how to shape this work.

10:45

Cute like my own child.

10:53

Ikezawa experienced so
much in life,

10:59

I think he has
lots of ideas in his head.

11:06

A few years ago,

11:08

he said "I want to
go to the family grave."

11:11

I wasn't sure where it was,

11:14

but we went off in the car.

11:19

We got a surprise.

11:21

At the grave,

11:23

flowers like this were blooming.

11:27

We finally found the family grave,

11:30

and these little yellow flowers
were blooming all over.

11:46

If we are going to live,

11:49

have to do whatever
it takes to keep living.

12:02

We owe our existence to others.

12:24

Even before eating, I pray.

12:28

I want everyone to rest in peace.

12:34

Rest in peace,

12:35

that's what I hope for.

12:43

He invests his sincere thoughts into each flower petal.

13:06

At each meal, he joins his hands in prayer.

13:30

Opening his eyes, there's a delicious meal before him.

13:37

We owe our existence to others.

13:52

Now...

13:55

Now, I'm happy.

14:03

What will I create tomorrow?

14:07

This is the place where good ideas are always born.

14:17

"Be by my side, that's all I ask."

14:25

"From that day we made a promise."

14:36

Ikezawa Masahiko —

14:39

no art, no life.