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Summary of Press Conference (January, 2007)
 
On the Year-End and New Year Specials

(Comment by Toyohiko Harada)
One of NHK’s themes for 2007 is facing regional issues, and this year’s first episode of NHK Special was aired on New Year’s Day under the title, Messages from Native Towns. The special programming for the year-end and New Year was well-balanced and quite characteristic of NHK. Our main goal for last year’s Kohaku Utagassen (The Red & White Year-End Song Festival) was to present songs in an unhurried manner, and this was successful thanks to the cooperation of the many people involved. The one great regret concerns the controversial performance by DJ OZMA, which was inappropriate for the show. We must reflect on the fact that we failed to build a sufficient relationship of trust with the artist. We will do everything in our capacity to prevent anything similar from happening again.
The new Sunday historical drama series, Furin Kazan, has made a good start, owing much to Masaaki Uchino, who plays the leading role and whose skillful acting has been widely admired.
During the New Year holidays, Educational TV repeated the first series of the animation series Major in an intensive manner. It was enjoyed by a large number of viewers.
The three satellite TV channels each underwent major program changes this January, and they have started off with distinctive characteristics respectively.

 
On the January programming revision for each satellite channel

(Comment by Toyohiko Harada)
Digital BS-hi
This channel is characterized by an intensive focus on such specific themes as the scenic beauty of Japan and classical music. 21st Century Travelogue: Visiting Buddhism with Hiroyuki Itsuki, (January), which was aired from January 7 to 11, received many requests from the viewers for a rebroadcast.

BS-1:
Special features such as Modern History as Related by Witnesses have received high praise.

BS-2:
The reputations of the broadcasts such as the full version of a Korean drama series Jewel in the Palace (started on January 12) and Entertainment Encore is growing with each installment.


 
Broadcasting schedule of the satellite channels from February

(Comment by Toyohiko Harada)
Digital BS-hi:
The channel’s monthly theme for February is Men and Women. A three-part series, Kagayaku Onna (Scintillating Women), will be shown from February 11 to 13, with each episode featuring three charming, up-and-coming female actresses: Shizu-chan, MEGUMI, and Juri Ueno. Another series, Love Story, focuses on the love affairs of such celebrities as Ernest Hemingway, narrated in an unprecedented manner. This will be aired from February 25 to 28.

BS-1:
A BS special, Japan as Seen from Outside: Japan in the Taisho Era (1912~1926) comes to you on February 18 and 25.

BS-2:
Satellite Movie Theater will show 50 Academy Award winning films.

 
Program revision in the new fiscal year

(Comment by Toyohiko Harada)
General TV:
The 10:00 p.m. time slot will concentrate on programs that would be supported mainly by viewers in their 40’s and 50’s, and which we hope will become NHK’s fixtures. NHK Specials will be aired on Monday, while Tonight with Kiyoshi (currently aired at 10:45 p.m. Thursdays) will be moved to this time slot in response to viewers’ requests. In the 11:00 p.m. time slot, there will be Salaryman Neo, Songs and other programs typically enjoyed by viewers in their 30’s and 40’s. Regional issues will also be discussed, making use of NHK’s nationwide networks in such programs as Regional Dispatch: What should we do about Japan? (six to seven programs a year for airing at 7:30 p.m. on Fridays) and Japan’s Underlying Strengths (at 10:05 a.m. on Sundays).

Educational TV (ETV):
For the 7:00 a.m. time slot, we have various programs designed to foster children’s emotional sensitivities, such as Power of Music and Power of Art. In the evenings, we have programming for teenagers and young adults, including Saturday Sketch TV (at 9:00 p.m. on Saturdays). In the 7:00 p.m. time slot on Mondays, we’ll air school broadcasts for viewing at home in the family.

(Comment by Eijiro Ishimura, Deputy Director-General of the General Broadcasting Administration)
Digital BS-hi:
A new monthly series, Centenary Interview (at 8:00 p.m. on Thursdays), will start with the wish that the outstanding interviews it presents will still be worthy of viewing in hundred years from now. Another new series is Japan Has such Wonderful Places, Too!, a travelogue which presents scenes of old Japan based on photographs taken by an ethnologist, Tsuneichi Miyamoto. It will be aired at 7:25 p.m. on Saturdays.

BS-1:
BS News around the Japanese Archipelago (at 1:15 p.m. Monday through Friday) will be enriched. Global Agora (every other Sunday at 9:10 p.m.) is a live information program designed to link with Japanese people living in various parts of the globe via web-cam and internet.

BS-2:
The new season for overseas dramas includes Together (He ni zai yi qi, or Beijing Violin in Japanese), which starts in April. Two new traveling theatrical entertainments with live studio audiences will be broadcast in the 6:00 p.m. time slot on Saturdays: Here Comes the Sanshi Troupe and I’m Off Now, Young’un! I’m With You Big’un!

Radio 1:
A program called Okinawa Excitement Club (at 9:30 p.m. on the last Wednesday of each month) is a production of NHK Okinawa and delves into the attractions of this island prefecture of Japan. Saturday Fun Market (on Saturdays at 8:35 a.m.) is targeted at the baby-boomer generation and deals with themes that are of high interest to them.

Radio 2:
Introductory Chinese and Annyeong Hasimnikka? Introductory Korean will be rerun on Sundays. The lessons of each week for each language course will be aired en bloc. (The Chinese course starts at 6:00 a.m. and Annyeong Hasimnikka? at 2:40 p.m.)

FM Radio:
The first day’s performance of each regularly-scheduled concert series by the NHK Symphony Orchestra will be aired live.

 
On NHK Special: The New Silk Road

(Comment by Eijiro Ishimura)
A new edition of The Silk Road will start in April on General TV. This seven-part series, subtitled Travels in Turbulent Lands, takes you along the present-day Silk Road in all of its changing aspects from post-Soviet Central Asia to the Arabian Peninsula.

 
On a new medical program, Kaitaishin Show

(Comment by Katsuhiro Inoue, Senior Producer, Program Development, Program Production Department)
The title is a pun on the Japanese title, Kaitaishinsho, of Kulmus’s great Anatomische Tabellen. The program is designed to answer simple questions about the human body from a scientific perspective. The program will be aired on General TV at 10:00 p.m. on Saturdays.

 
On a new program, Shibuya Deep A

(Comment by Sotaro Matsumoto, Senior Producer, Production Center/Satellite Broadcasting, Program Production Department)
This is a new type of interactive variety show for young people in their late teens and twenties, consisting of e-mail letters sent in via mobile phones. Topics range widely from funny discoveries and happenings at school, work and home, to topics about love, illustrations and compositions. In fact, anything goes. We are looking forward to receiving mobile phone e-mails and illustrations from the viewers. Shibuya Deep A will run at 10:30 p.m. on Fridays on BS-2.

 
On the Gackt song, Like Flowers in the Field, which will soon be presented in Songs for Everyone

(Comment by Toyohiko Harada)
The song was born from a friendship between Gackt and students of Maiko Senior High School in Hyogo Prefecture. The school’s Environmental Issues and Disaster Mitigation Course is the only one of its kind in Japan and is in danger of closure due to low enrollment. Gackt wrote this song to tell people the significance of this course and encourage its students. Like Flowers in the Field will go on Songs for Everyone in February, on General TV.

 
On France’s Cooking World Cups

(Comment by Toyohiko Harada)
Two of the world’s most prestigious cooking contests, Bocuse d’Or (the World Cuisine Contest) and Salon Du Chocolat (Chocolate Show), both held annually in France, will be introduced in the program, showing how the world’s leading chefs compete at the very top level. It will be aired at 10:00 p.m. on February 12 on General TV, and at 8:00 p.m. on March 19 and 20 on BS-hi.

 
On Kaiki Daisakusen, Second File

(Comment by Toyohiko Harada)
When the original edition of Kaiki Daisakusen (26 episodes), a special effect drama, was broadcast in September 1968, it enjoyed high average viewer rating of 22.0%. NHK will remake this drama together with Tsuburaya Production Co., Ltd. adding more contemporary elements. Kaiki Daisakusen, Second File will come in a three-part series (with each episode lasting 45 minutes and complete in itself) and is scheduled to be aired at 10:00 p.m. on April 2, 9, and 16 on BS-hi. The directors include Takashi Shimizu, who directed Juon (The Grudge), and Hideo Nakata, who directed The Ring.

 
Questions from the Press

Q: How does NHK react to the recent scandal involving Kansai Telecasting Corporation (KTC) regarding its program, Digging Up Facts: Encyclopedia II, since NHK also produces and airs various programs of the same kind, including the weekly series, Check It Out! Science for Everyone?

A: (Comment by Toyohiko Harada)
This kind of thing should have never happened at a news organization. We are very concerned because the scandal is sure to affect public confidence in the entire TV industry. In the case of NHK, we make extensive research into academic studies, including works of overseas scholars, to obtain firm understanding needed for each discussion before taking each issue up in a program. Concerning the research results, we avoid swallowing the conclusions of only one researcher but check the legitimacy of any argument by consulting multiple experts in various fields before going on air. We also make it a rule to conduct thorough pilot studies. If we didn’t achieve the expected results in an experiment, we candidly say so in the program.

Q: In the case of KTC, the program in question was outsourced to an outside production company. What checking system does NHK have to prevent similar problems when outsourcing to subsidiaries or external companies?

A: (Comment by Toyohiko Harada)
Even when NHK commissions programs to its subsidiaries or to external companies via NHK’s subsidiaries, the final responsibility for programs rests with NHK. We conduct close checks of the details at every stage; when planning a program, adopting it, discussing program composition, prescreening, and attending the recording. We never leave everything in the hand of the subsidiaries or outside production companies. NHK distributes new guidelines to them so that NHK’s broadcasting standards and ethics are fully maintained.


 
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