JAPAN PRIZE 2006 Program Details

The Grand Prix Japan Prize
Program Title:BRAINDAMADJ'D... TAKE II
Organization:Apartment 11 Productions
Country:Canada
Winner of the Minister of Foreign Affairs Prize
Content
This documentary features the decade-long struggle of a young producer, Paul Nadler, who suffered severe brain damage in a traffic accident while traveling in Cairo in 1994. The program follows his miraculous recovery. It shows the rehabilitation process recorded on a home video camera, interviews with his parents, friends, specialists and others who have been supporting him. We see in poignant detail both Paul's state as he recovers and the sea of emotions of all related people. Paul's devoted mother, Vera, recalls how she rejoiced when she heard her son was alive, but at the same time she admits the difficulty of handling a patient with severe brain damage, making us easily understand the reality of brain injured patients.
The program also distinguishes itself with Paul's interviews that carry a touch of poetry and utterly original visual images in response. Extremely impressive are scenes where Paul, in gaudy white makeup, like a Kabuki actor, makes various movements against a jet-black curtain. This documentary is not only a reality-based record of rehabilitation but also a sequence of striking images. Paul speaks straight into the camera, which is already surprising, but the program ends with a twist that truly surprises the audience. "I am the subject of the film, and not only that, I am directing the film."
Jury Comment
There were many fine works in the Adult Education category. Historical documentaries competed with contemporary personal stories; the gently unfolding with the loudly insistent.   However, one film stood out -- Braindamadg'd... Take II.
Innovative, creative, inspirational, powerful, and loud are all words used by the judges to describe Braindamadg'd... Take II.   From the riveting cacophony of its first images to the startling revelation at its end, the film succeeds -- in both its narrative and visual style -- to capture the experience of Paul Nadler, as he fights to reclaim his life following a traumatic brain injury. 
The story is told in Nadler's marvelously particular voice. It immediately engages with its brute style and honesty. It communicates complex concepts about recovery from TBI within a story about persistence and brazen courage.
Braindamadg'd... Take II is fully life affirming. It forcibly reminds us of simple imperatives -- to treasure friendship and family -- and to be brave in confronting life's cruelties.
Producer's Comment
Paul Nadler
Director, Apartment 11 Productions


On a Friday evening, at 1 o'clock in the morning I was awoken by a phone call from my producer Jonathan Finkelstein. He was calling me from Tokyo, and was extremely excited. He informed me that the JAPAN PRIZE organizers were inviting me to Tokyo and that there was a strong possibility that we could win the Grand Prix Japan Prize. He wanted me to get on the next plane. I replied no, for since I survived an accident, I rush for no-one and nothing. However, I could leave in 36 hours. Upon arriving at the hotel, I was greeted and my worries and all my accident-related travel anxieties were completely allayed. I did in fact: attend the rehearsal; win the Grand Prix Japan Prize; meet the crown prince; attend the reception; and returned home with both prizes still not being exactly certain of the qualities that my film demonstrated in order to merit such prestigious prizes.
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